The Winchester Mystery House

The Winchester Mystery House is a well-known mansion in Northern California. It once was the personal residence of Sarah Winchester, the widow of gun magnate William Wirt Winchester. It was continuously under construction for 38 years and is reported to be haunted. It now serves as a tourist attraction. Under Winchester's day-to-day guidance, its "from-the-ground-up" construction proceeded around the clock, without interruption, from 1884 until her death on September 5, 1922, at which time work immediately ceased. The cost for such constant building has been estimated at about US $5.5 million (if paid in 1922; this would be equivalent to over $75 million in 2012).


The Queen Anne Style Victorian mansion is renowned for its size and utter lack of any master building plan. According to popular belief, Winchester thought the house was haunted by the ghosts of the people who fell victim to Winchester rifles, and that only continuous construction would appease them. It is located at 525 South Winchester Blvd. in San Jose, California.
As of 2013, the house is under private ownership by Winchester Mystery House, LLC, a limited liability company owned by partners Edna May Raney; Gerard Raney; Ray Farris II; Sandra Farris; and M. Valerie Bovone. It is not operated by the County of Santa Clara or the U.S. National Park Service.

Sarah Winchester - 1865 

Although this is disputed, popular belief holds that a Boston medium told Winchester that she had to leave her home in New Haven and travel West, where she must "build a home for yourself and for the spirits who have fallen from this terrible weapon, too. You must never stop building the house. If you continue building, you will live forever. But if you stop, then you will die."

Winchester left her New Haven home and headed for California. In 1884 she purchased an unfinished farmhouse in Santa Clara Valley, and began building her mansion. Carpenters were hired and worked on the house day and night until it became a seven story mansion.
The June 1937 issue of Modern Mechanix relates the story from then-current accounts as follows: "Winchester and the baby girl died suddenly and Mrs Winchester, stunned by the tragedy, fell into a coma so serious that physicians despaired of her life.

"Finally she recovered and, at a friend’s suggestion, visited a medium. During a séance, according to those familiar with her story, she received a communication from her dead husband in which he said: 'Sarah dear, if our house had not been finished, I would still be with you. I urge you now to build a home, but never let it be finished, for then you will live.' " (In fact, her daughter died in 1866 and her husband in 1881, neither suddenly.)

William Wirt Winchester e Sarah Winchester

Another version of the story says that after the deaths of her daughter and later her husband, she consulted a medium who told her that she must build a house and never cease building it, otherwise the spirits that killed her family members would come after her, too. After that she began construction on the maze-like house full of twists, turns, and dead ends, so that the spirits would get lost and never be able to find her.

One version states "She believed her only chance of a normal life was to build a house, and keep building it. If the house was never finished, no ghost could settle into it. The house contains many features that were utilized to trap or confuse spirits. There are doors that are small or lead nowhere and windows that look into other parts of the house. The mansion may be huge but there are only two mirrors in the whole place. This is because Sarah believed that ghosts were afraid of their own reflection."

Winchester inherited more than $20.5 million upon her husband's death. She also received nearly 50 percent ownership of the Winchester Repeating Arms Company, giving her an income of roughly $1,000 per day, none of which was taxable until 1913. This amount is roughly equivalent to about $30,000 a day in 2012. All of this gave her a tremendous amount of wealth to fund the ongoing construction.


The house today


Before the 1906 earthquake, the house had been seven stories high, but today it is only four stories. The house is predominantly made of redwood, as Mrs. Winchester preferred the wood; however, she disliked the look of it. She therefore demanded that a faux grain and stain be applied. This is why almost all the wood in the home is covered. Approximately 20,500 gallons (76,000 liters) of paint were required to paint the house. The home itself is built using a floating foundation that is believed to have saved it from total collapse in the 1906 earthquake and the 1989 Loma Prieta earthquake.

This type of construction allows the home to shift freely, as it is not completely attached to its brick base. There are roughly 160 rooms, including 40 bedrooms, 2 ballrooms (one completed and one unfinished) as well as 47 fireplaces, 10,000 window panes, 17 chimneys (with evidence of two others), two basements and three elevators. Winchester's property was about 162 acres (864,000 m²) at one time, but the estate is now just 4.5 acres (24,000 m²) – the minimum necessary to contain the house and nearby outbuildings. It has gold and silver chandeliers and hand-inlaid parquet floors and trim. There are doors and stairways that lead nowhere and a vast array of colors and materials. Due to Mrs Winchester's debilitating arthritis, special "easy riser" stairways were installed as a replacement for her original steep construction. This allowed her to move about her home freely as she was only able to raise her feet a few inches high.

The home's conveniences were rare at the time of its construction. These included steam and forced-air heating, modern indoor toilets and plumbing, push-button gas lights, Mrs Winchester's personal (and only) hot shower from indoor plumbing. There are also three elevators, one of which was powered by a rare horizontal hydraulic elevator piston. Most elevator pistons are vertical, as this takes up less space, but to improve its function, she discarded the norm and included this model for its function over fashion. Though the home was built with the strangest of intentions, Mrs. Winchester never skimped on the many bizarre adornments that she believed contributed to its architectural beauty. Many of the stained glass windows were created by the Tiffany company. Some were designed specifically for her, and others by her, including the renowned "spider web" window. This piece features her favorite shape, the spider's web, and features repetition of the number 13, which was one of her preoccupations. This window is not installed, but rather featured in the so-called "$25,000 storage room".

The room is so named because its contents were originally appraised at a value of $25,000. Their value today is inestimable, but thought to be at least ten times that. A second famed window was designed by Tiffany himself for Mrs Winchester. This window was carefully designed so that when the light hits the crystals just so, the room will be filled with thousands of rainbow prisms. However, due to the poor placement of the piece, this will never be seen. It is located in a room with no direct light, as well as being built facing a wall.


When Winchester died, all of her possessions (apart from the house) were bequeathed to her niece and personal secretary. Her niece then took everything she wanted and sold the rest in a private auction. It took six trucks working eight hours a day for six weeks, to remove all of the furniture from the home. Mrs Winchester made no mention of the mansion in her will, and appraisers considered the house worthless due to the damage caused by the earthquake, the unfinished design and the impractical nature of its construction. It was sold at auction to a local investor for $135,000, and in February 1923, five months after Winchester's death, it was opened to the public. Harry Houdini toured the mansion in 1924, and the newspaper account of his visit, displayed in the rifle museum on the estate, called it the Mystery House.

Sarah Winchester - 1920

Today the home is owned by Winchester Investments LLC and it retains unique touches that reflect Mrs Winchester's beliefs and her reported preoccupation with warding off malevolent spirits. These spirits are said to have directly inspired her as to the way the house should be built. The number thirteen and spider web motifs, which carried spiritual significance for her, occur throughout the house. For example, an expensive imported chandelier that originally had 12 candle-holders was altered to accommodate 13 candles, wall clothes hooks are in multiples of 13, and a spider web-patterned stained glass window contains 13 colored stones. The sink's drain covers also have 13 holes. In tribute, the house's current groundskeepers have created a topiary tree shaped like the numeral 13. Also, every Friday the 13th the large bell on the property is rung 13 times at 1 o'clock p.m. (13:00) in tribute to Winchester.


Source: http://en.wikipedia.org/wiki/Winchester_Mystery_House

                           

                       

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"The River of Five Colors" - Caño Cristales

Caño Cristales is a Colombian river located in the Serrania de la Macarena, province of Meta. The river is commonly called "The River of Five Colors," "The Liquid Rainbow" or even "The Most Beautiful River in the World" due to the striking colors like yellow, green, blue, black, and especially the red of the Macarenia clavigera at the bottom of the river giving it a unique appearance.

A unique biological wonder, Caño Cristales has been referred as the "river of five colors," "the river that ran away from paradise," and "the world's most beautiful river."

For most of the year, Caño Cristales is indistinguishable from any other river: a bed of rocks covered in dull green mosses are visible below a cool, clear current.

However, for a brief period of time every year, the river blossoms in a vibrant explosion of colors. During the short span between the wet and dry seasons, when the water level is just right, a unique species of plant that lines the river floor called Macarenia clavigera turns a brilliant red. It is offset by splotches of yellow and green sand, blue water, and a thousand shades in between.

This only happens for a brief period in between seasons. During Colombia's wet season, the water flows too fast and deep, obscuring the bottom of the river and denying the Macarenia clavigera the sun that it needs to turn red. During the dry season there is not enough water to support the dazzling array of life in the river. But for a few weeks from September through November, the river transforms into a veritable living rainbow.

Caño Cristales is located in a remote, isolated area not easily accessible by road. Adventurous tourists can now fly into the nearby town of La Macarena. From there it is a short trip into "Serrania de la Macarena," the national park in which Caño Cristales is located.

It is a succession of rapids, waterfalls, correones and pocetas whose waters flow from the plateau south of the Serranía de la Macarena, where this birth, behind the oldest tepuis of the Sierra in a rugged area in which numerous rock paintings are still unexplored.

The site was effectively closed to tourists for several years because of guerrilla activity in the region along with concerns about the impact of unregulated tourist traffic. It was reopened to visitors in 2009, and today there are several Colombian Tourist Agencies that will fly travelers to La Macarena. From there, they must make their way to the river site on horseback (or donkeyback) and by foot as part of a guided tour. Visitors are not permitted to stay overnight or cook.

The rocks of the Macarena reach 1200 million years old and are an extension to the west of the called Guiana Shield of Venezuela, Guyana and Brazil, whose rocks are considered the oldest in the world. The rocks of the region belong to the sedimentary cover of the Guaiana Shield.

The biological significance of global of the Macarena is because part of three ecosystems rich in diversity of flora and fauna: Andes, Eastern Llanos and Amazon rainforest. "Every new germs gap rush stations", says José Eustasio Rivera in La Vorágine, referring to this type of vegetation.

In the jungle of the Macarena struggle for nutrients for the soil to populate various fungi that help break down the trunks of trees.

The small circular pits, -giant's kettle- that characterize the river bed have been opened by high hardness minerals. When one of these hard mineral fragments falls into one of the cavities, large or small, begins to brushing rotate with the cavity wall and increases the dimensions of the well.

Caño Cristales has aquatic plants and corals. Its red color is characteristic of endemic plant species corresponds to Macarenia clavígera, plant identified by biologist Jesús Idrobo.

The biome representative of the Serranía de La Macarena is the rainforest subhydrophytic of the thermal floor hot, warm and cold. The mountain is home to about 420 species of birds, ten species of amphibians, 43 species of reptiles and eight primates.

However, the river is totally devoid of fish due to its lack of drag and sedimentation materials. Other channels of the Macarena, also hold red plants in winter, as the Caño Siete Machos. These red plants adhere tightly to rocks in places where the river has more stream.

It is not known what activities can be done in such rivers.

To reach Caño Cristales, it is necessary to travel to the municipality of La Macarena, Meta, in Meta Department. There are two ways to get from Villavicencio, in a DC3 Cargo aircraft coming out every day, or from Bogota, in direct flight that departs every Friday and return on Sunday. Presently, there are no camp sites available near Caño Cristales.
The most ideal months to visit Caño Cristales are from late July to early December.

Source: http://en.wikipedia.org/wiki/Ca%C3%B1o_Cristales



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Abu Simbel Temples

The Abu Simbel temples are two massive rock temples in Abu Simbel (أبو سمبل in Arabic) in Nubia, southern Egypt. They are situated on the western bank of Lake Nasser, about 230 km southwest of Aswan (about 300 km by road). The complex is part of the UNESCO World Heritage Site known as the "Nubian Monuments," which run from Abu Simbel downriver to Philae (near Aswan).
The twin temples were originally carved out of the mountainside during the reign of Pharaoh Ramesses II in the 13th century BCE, as a lasting monument to himself and his queen Nefertari, to commemorate his alleged victory at the Battle of Kadesh, and to intimidate his Nubian neighbors. However, the complex was relocated in its entirety in 1968, on an artificial hill made from a domed structure, high above the Aswan High Dam reservoir.
The relocation of the temples was necessary to avoid their being submerged during the creation of Lake Nasser, the massive artificial water reservoir formed after the building of the Aswan High Dam on the Nile River. Abu Simbel remains one of Egypt's top tourist attractions.

Construction of the temple complex started in approximately 1264 BCE and lasted for about 20 years, until 1244 BCE. Known as the "Temple of Ramesses, beloved by Amun" it was one of six rock temples erected in Nubia during the long reign of Ramesses II. Their purpose was to impress Egypt's southern neighbors, and also to reinforce the status of Egyptian religion in the region. Historians say that the design of Abu Simbel expresses a measure of ego and pride in Ramesses II.

With the passage of time, the temples fell into disuse and eventually became covered by sand. Already in the 6th century BCE, the sand covered the statues of the main temple up to their knees. The temple was forgotten until 1813, when Swiss orientalist Jean-Louis Burckhardt found the top frieze of the main temple. Burckhardt talked about his discovery with Italian explorer Giovanni Belzoni, who travelled to the site, but was unable to dig out an entry to the temple. Belzoni returned in 1817, this time succeeding in his attempt to enter the complex.
Tour guides at the site relate the legend that "Abu Simbel" was a young local boy who guided these early re-discoverers to the site of the buried temple which he had seen from time to time in the shifting sands. Eventually, they named the complex after him.

In 1959 an international donations campaign to save the monuments of Nubia began: the southernmost relics of this ancient human civilization were under threat from the rising waters of the Nile that were about to result from the construction of the Aswan High Dam.
One scheme to save the temples was based on an idea by William MacQuitty to build a clear fresh water dam around the temples, with the water inside kept at the same height as the Nile. There were to be underwater viewing chambers. In 1962 the idea was made into a proposal by architects Jane Drew and Maxwell Fry and civil engineer Ove Arup. They considered that raising the temples ignored the effect of erosion of the sandstone by desert winds. However the proposal, though acknowledged to be extremely elegant, was rejected.

The salvage of the Abu Simbel temples began in 1964 by a multinational team of archeologists, engineers and skilled heavy equipment operators working together under the UNESCO banner; it cost some $40 million at the time. Between 1964 and 1968, the entire site was carefully cut into large blocks (up to 30 tons, averaging 20 tons), dismantled, lifted and reassembled in a new location 65 meters higher and 200 meters back from the river, in one of the greatest challenges of archaeological engineering in history.[3] Some structures were even saved from under the waters of Lake Nasser. Today, thousands of tourists visit the temples daily. Guarded convoys of buses and cars depart twice a day from Aswan, the nearest city. Many visitors also arrive by plane, at an airfield that was specially constructed for the temple complex.
The complex consists of two temples. The larger one is dedicated to Ra-Harakhty, Ptah and Amun, Egypt's three state deities of the time, and features four large statues of Ramesses II in the facade. The smaller temple is dedicated to the goddess Hathor, personified by Nefertari, Ramesses's most beloved of his many wives. The temple is now open to the public.

The Great Temple

The Great Temple at Abu Simbel, which took about twenty years to build, was completed around year 24 of the reign of Ramesses the Great (which corresponds to 1265 BCE). It was dedicated to the gods Amun, Ra-Horakhty, and Ptah, as well as to the deified Rameses himself. It is generally considered the grandest and most beautiful of the temples commissioned during the reign of Rameses II, and one of the most beautiful in Egypt.
Four colossal 20 meter statues of the pharaoh with the double Atef crown of Upper and Lower Egypt decorate the facade of the temple, which is 35 meters wide and is topped by a frieze with 22 baboons, worshippers of the sun and flank the entrance. The colossal statues were sculptured directly from the rock in which the temple was located before it was moved. All statues represent Ramesses II, seated on a throne and wearing the double crown of Upper and Lower Egypt. The statue to the left of the entrance was damaged in an earthquake, leaving only the lower part of the statue still intact. The head and torso can still be seen at the statue's feet.

Next to the legs of the colossi, there are other statues no higher than the knees of the pharaoh. These depict Nefertari, Ramesses's chief wife, and queen mother Mut-Tuy, his first two sons Amun-her-khepeshef, Ramesses, and his first six daughters Bintanath, Baketmut, Nefertari, Meritamen, Nebettawy and Isetnofret.
The entrance itself is crowned by a bas-relief representing two images of the king worshiping the falcon-headed Ra Harakhti, whose statue stands in a large niche. This god is holding the hieroglyph “user” and a feather in his right hand, with Ma'at, (the goddess of truth and justice) in his left; this is nothing less than a gigantic cryptogram for Ramesses II's throne name, User-Maat-Re. The facade is topped by a row of 22 baboons, their arms raised in the air, supposedly worshipping the rising sun. Another notable feature of the facade is a stele which records the marriage of Ramesses with a daughter of king Hattusili III, which sealed the peace between Egypt and the Hittites.

The inner part of the temple has the same triangular layout that most ancient Egyptian temples follow, with rooms decreasing in size from the entrance to the sanctuary. The temple is complex in structure and quite unusual because of its many side chambers. The hypostyle hall (sometimes also called a pronaos) is 18 meters long and 16.7 meters wide and is supported by eight huge Osirid pillars depicting the deified Ramses linked to the god Osiris, the god of the Underworld, to indicate the everlasting nature of the pharaoh. The colossal statues along the left-hand wall bear the white crown of Upper Egypt, while those on the opposite side are wearing the double crown of Upper and Lower Egypt (pschent). The bas-reliefs on the walls of the pronaos depict battle scenes in the military campaigns the ruler waged. Much of the sculpture is given to the Battle of Kadesh, on the Orontes river in present-day Syria, in which the Egyptian king fought against the Hittites. The most famous relief shows the king on his chariot shooting arrows against his fleeing enemies, who are being taken prisoner. Other scenes show Egyptian victories in Libya and Nubia.

From the hypostyle hall, one enters the second pillared hall, which has four pillars decorated with beautiful scenes of offerings to the gods. There are depictions of Ramesses and Nefertari with the sacred boats of Amun and Ra-Harakhti. This hall gives access to a transverse vestibule in the middle of which is the entrance to the sanctuary. Here, on a black wall, are rock cut sculptures of four seated figures: Ra-Horakhty, the deified king Ramesses, and the gods Amun Ra and Ptah. Ra-Horakhty, Amun Ra and Ptah were the main divinities in that period and their cult centers were at Heliopolis, Thebes and Memphis respectively.

Solar phenomena

It is believed that the axis of the temple was positioned by the ancient Egyptian architects in such a way that on October 22 and February 22, the rays of the sun would penetrate the sanctuary and illuminate the sculptures on the back wall, except for the statue of Ptah, the god connected with the Underworld, who always remained in the dark. People gather at Abu Simbel to witness this remarkable sight, on October 21st and February 21st.

These dates are allegedly the king's birthday and coronation day respectively, but there is no evidence to support this, though it is quite logical to assume that these dates had some relation to a great event, such as the jubilee celebrating the thirtieth anniversary of the pharaoh's rule.

In fact, according to calculations made on the basis of the heliacal rising of the star Sirius (Sothis) and inscriptions found by archaeologists, this date must have been October 22. This image of the king was enhanced and revitalized by the energy of the solar star, and the deified Ramesses the Great could take his place next to Amun Ra and Ra-Horakhty.

Due to the displacement of the temple and/or the accumulated drift of the Tropic of Cancer during the past 3,280 years, it is widely believed that each of these two events has moved one day closer to the Solstice, so they would be occurring on October 22 and February 20 (60 days before and 60 days after the Solstice, respectively).

The NOAA Solar Position Calculator may be used to verify the declination of the Sun for any location on Earth, at any particular date and time. For the latitude of Abu Simbel 22°20′13″N 31°37′32″E, the calculator will yield values close to −11° for both Oct 22 and Feb 20.

The Small Temple

The temple of Hathor and Nefertari, also known as the Small Temple, was built about one hundred meters northeast of the temple of pharaoh Ramesses II and was dedicated to the goddess Hathor and Ramesses II's chief consort, Nefertari. This was in fact the second time in ancient Egyptian history that a temple was dedicated to a queen. The first time, Akhenaten dedicated a temple to his great royal wife, Nefertiti.[5] The rock-cut facade is decorated with two groups of colossi that are separated by the large gateway. The statues, slightly more than ten meters high, are of the king and his queen. On either side of the portal are two statues of the king, wearing the white crown of Upper Egypt (south colossus) and the double crown (north colossus); these are flanked by statues of the queen and the king. What is truly surprising is that for the only time in Egyptian art, the statues of the king and his consort are equal in size.

The gods Set (left) and Horus (right) adoring Ramesses in the small temple at Abu Simbel

Traditionally, the statues of the queens stood next to those of the pharaoh, but were never taller than his knees. This exception to such a long standing rule bears witness to the special importance attached to Nefertari by Ramesses, who went to Abu Simbel with his beloved wife in the 24th year of his reign. As the Great Temple of the king, there are small statues of princes and princesses next to their parents. In this case they are positioned symmetrically: on the south side (at left as you face the gateway) are, from left to right, princes Meryatum and Meryre, princesses Meritamen and Henuttawy, and princes Rahirwenemef and Amun-her-khepeshef, while on the north side the same figures are in reverse order. The plan of the Small Temple is a simplified version of that of the Great Temple.

As the larger temple dedicated to the king, the hypostyle hall or pronaos is supported by six pillars; in this case, however, they are not Osirid pillars depicting the king, but are decorated with scenes with the queen playing the sinistrum (an instrument sacred to the goddess Hathor), together with the gods Horus, Khnum, Khonsu, and Thoth, and the goddesses Hathor, Isis, Maat, Mut of Asher, Satis and Taweret; in one scene Ramesses is presenting flowers or burning incense. The capitals of the pillars bear the face of the goddess Hathor; this type of column is known as Hathoric. The bas-reliefs in the pillared hall illustrate the deification of the king, the destruction of his enemies in the north and south (in this scenes the king is accompanied by his wife), and the queen making offerings to the goddess Hathor and Mut. The hypostyle hall is followed by a vestibule, access to which is given by three large doors. On the south and the north walls of this chamber there are two graceful and poetic bas-reliefs of the king and his consort presenting papyrus plants to Hathor, who is depicted as a cow on a boat sailing in a thicket of papyri. On the west wall, Ramesses II and Nefertari are depicted making offerings to god Horus and the divinities of the Cataracts — Satis, Anubis and Khnum.

The rock cut sanctuary and the two side chambers are connected to the transverse vestibule and are aligned with the axis of the temple. The bas-reliefs on the side walls of the small sanctuary represent scenes of offerings to various gods made either by the pharaoh or the queen. On the back wall, which lies to the west along the axis of the temple, there is a niche in which Hathor, as a divine cow, seems to be coming out of the mountain: the goddess is depicted as the Mistress of the temple dedicated to her and to queen Nefertari, who is intimately linked to the goddess.

Each temple has its own priest that represents the king in daily religious ceremonies. In theory, the Pharaoh should be the only celebrant in daily religious ceremonies performed in different temples throughout Egypt. In reality, the high priest also played that role. To reach that position, an extensive education in art and science was necessary, like the one pharaoh had. Reading, writing, engineering, arithmetic, geometry, astronomy, space measurement, time calculations, were all part of this learning. The priests of Heliopolis, for example, became guardians of sacred knowledge and earned the reputation of wise men.

Source: http://en.wikipedia.org/wiki/Abu_Simbel_temples


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Okunoshima Island – Japan’s Rabbit Paradise

Okunoshima is a small Japanese island, located in the Inland Sea of Japan, in the Hiroshima Prefecture. What’s special about this place is that it is completely crawling with rabbits – a bunny paradise of sorts. Nicknamed the Rabbit Okunoshima attracts thousands of animal lovers every year. Feeding bunnies can be one of the most relaxing pastimes, and people come here to do just that. The island is a popular day-trip and weekend holiday destination.

Okunoshima might be a place of natural beauty, but it has a dark, dirty past as well. In the early 20th century, it served as the base for the Imperial Army’s lethal gas operation. Over 6,000 tons of about 5 types of poison gas were manufactured on this very island between the years of 1929 and 1945. The mission was top secret back then, so Okunoshima was actually omitted from maps and workers were sworn to secrecy.

Today, you can still see the ruins of these factories on the island. Given its history, there are several explanations of the unusually large number of rabbits in this place. Some sources say the furry animals were brought over during World War II, to test the effects of the poisonous gases. When the war ended, the workers are said to have released the rabbits into the wild.

Other sources claim that a group of children were on a field trip at Okunoshima in 1971, when they left behind 8 bunnies. Well, we might never know how the first rabbits got on to the island, but they did their job well – copulating to make sure they left behind hundreds of their progeny to roam the island today. Hundreds might not sound like a lot, but on an island just 2.5 kilometers in circumference they make their presence felt.

The rabbits of Okunoshima are wild, but well accustomed to human presence. Sometimes they even approach tourists for snacks, especially during seasons when natural food sources are low, hopping on to laps much to the delight of visitors. Carrots, cabbage and rabbit feed (sold at the island hotel for about $1 a cup) are what they prefer the most. Rakuten, a travel company, offers a tour called ‘Let’s Play with Rabbits’, in English and Japanese.

Most of the tourists who come to Okunoshima are animal lovers. Apart from roaming Japan’s dog and cat-cafes, this is a popular destination for them. Who could blame them? After all, an island full of bunnies is pretty hard to resist. Hunting the rabbits is strictly forbidden, and so is bringing cats and dogs on the island. If you fancy felines, you can visit Japan’s cat island, instead.

Even though tourists flock to Okunoshima to see the rabbits today, the island’s poison gas legacy isn’t easily forgotten. Not only is the place home to the Poison Gas Museum, it also reeks of chemical contamination even today.

The water supply in the island was found to contain arsenic in 1996. In 2005, the Environment Ministry reported that the level of arsenic in the atmosphere was 49 times the environmental standard. Of the 6000 workers who were employed between 1929 and 1945, many are said to have become ill and suffered respiratory problems at the time. Some are even rumored to have been involved in accidents that disfigured them horribly.

The arsenic and mustard gas are said to have penetrated their bodies and created bubbles under their skin. The island has been declared safe for tourists now, but according to Masayuki Yamauchi, a volunteer who gives tours of Okunoshima’s factory ruins, there are 11 known locations on the island where workers buried gas after the war was over.

These locations are sealed-off today, but many voices argue that the island isn’t safe for humans even today, given the fact that there was never any major decontamination operation. Tourists are generally advised to stay on official walkways and paths.

Source: http://www.odditycentral.com/pics/okunoshi...t-paradise.html

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